Richard Masur on Transparent, Norman Lear, and surviving Heaven’s Gate. Club. Welcome to Random Roles, wherein we talk to actors about the characters who defined their careers. The catch: They don’t know beforehand what roles we’ll ask them to talk about. ![]() You can download a PDF version of film schedule for Auckland and Wellington individually below. Interviews with Sharon Jones and Director Barbara Kopple. Do you have a tip for The New Yorker that requires anonymity and security?The actor: Richard Masur started his career in the early 1. TV shows where an unassuming but memorable best friend or lawyer was needed. Norman Lear was the first to bring Masur to the screen, in an episode of All In The Family, and tapped him to be one of the stars of his 1. One Day At A Time, playing a suitor to Bonnie Franklin’s character Ann Romano (he left early in the classic sitcom’s second season). After a late- career hiatus from TV and movies to go back to theater, Masur has been in a number of guest spots lately, most notably on Jill Soloway’s Transparent, where he plays a suitor to Maura Pfefferman’s (Jeffrey Tambor) ex- wife Shelly (Judith Light).
Legislators debate legislation that allows for adult charges for juvenile offenders. Transparent (2. 01. Buzz” The Man Without A Face (1. Prof. Carl Harley”Richard Masur: I was approached for the role and I went and met with them. I think they had a pretty good sense they wanted me for it. I’m not sure but it was a very easy meeting. When it was over it was clear that I was doing it. I know a lot of people who are on the show. I’ve known a lot of them for a long time. Jeffrey and Judith and Gaby . Pretty much everybody I knew except for Jay . So when I finished, I went to see them on the set. As I was leaving, I saw Jill. I said, “Thanks again. It was a lot of fun.” She said, “But you’re available next week, right? Because we’re shooting next week. I want you to do this. I mean the minute your name came up, everybody said, . Club: Had you known them all from working with them? RM: Jeffrey and I never worked together but knew each other. Judith and I did readings for a play together multiple times which then I ended up not being available for and was heartbroken about. We met on a plane originally many years ago when I think she was still doing Who’s The Boss? So ever since we took that plane ride together, we had this kind of long distance mutual admiration society. ![]() Tatum's emotional transparency makes you care about Jupiter's protector, Caine Wise, even though he's as much a stick figure as the other characters. Whenever we’d see each other it would be like, ”Oh my God, how are you?” That’s how it’s been with her ever since. AVC: And Amy and Gaby, have you worked with them? I did a film many years ago called The Man Without A Face that Gaby was in with Mel Gibson. That was his directing debut. This was after Sleepless In Seattle and a couple of other things but she was still a tiny little girl and so good. We ran into each other many times in various places. She also was doing VO on commercials and my wife does that too so they knew each other pretty well. AVC: Because of all your different roles, you could do six degrees of separation with you. RM: I actually did that movie! Yes, I’ve worked with a ginormous number of people over the years. What happens when you’ve been around for a while, when you run into people whose work you’ve seen and liked and they have seen and liked your work, there’s a sense of you kind of know each other even though you don’t. I have to say I was very lucky in this business. I was in the right place at the right time when I first got started. They were looking for people like me a little bit and I had enough to give so that they were happy with what I did. AVC: With your experience in TV especially, did Transparent feel different to you, because it’s kind of a different style? RM: Oh, it’s extraordinary. I’ve never had an experience like I’ve had working on this and by the way hope to continue. First of all, like I said the casting process was ridiculous. It was so fun and relaxed and easy. They take the show extremely seriously. Everybody working on it takes it extremely seriously. There are moments where there aren’t a lot of laughs going on; however they also are there to have a good time and they’re all there to create something special. Jill is absolutely the center of that attitude. This all comes from her, the sense of fun, the sense of wanting it to be a family, which it literally is but when someone new comes in they kind of drag you into their insanity in a very real way. The people who’ve been around who are doing recurring roles like Brad Whitford and Cherry Jones, people like that, Carrie Brownstein. Everybody gets swept up into this. Everybody respects the writing really strongly but everybody is also encouraged to contribute, which I haven’t had that experience in this way since working with Norman Lear, to be honest. Semi- Tough (1. 97. Phillip Hooper”RM: One of the first big things I did, the first major feature I was in was a picture called Semi- Tough that Michael Ritchie directed and Burt Reynolds and Kris Kristofferson, Jill Clayburgh, and Robert Preston. I was cast in this role, which was a fairly thankless role, but I was so excited to be in this film. It turned out I was playing Robert Preston’s gopher. He owned a football team and I was playing his aide. The very first day down in Dallas in the locker room at Texas Stadium, which is where we did the read through for the film because we were going to be shooting there a lot, we’re kind of milling around. There are all these people coming in, crew and a whole bunch of cast people, and Preston comes in. I’ve known him since I’ve been alive. He was a giant star back in the late ’3. So he comes in and I’m really excited to meet him. So Michael goes and says hello to him. He’s the old war horse there. He’s the old Hollywood guy. I had done a show at this point, a couple of shows. Michael calls me over and I get to meet him. Preston, is this how you pictured this character?” Preston said the most extraordinary thing. He said, “Well, ever since you told me who was playing him.” It was such a classy thing to say. With that one offhand comment he said, “I know this guy’s work and I like his work and I knew it before he walked in front of me.” It was so sweet. I’ll tell you one other quick story about him. I’m the front end of the people who worked with the tail end of the people who came out of almost beginnings of movies. Preston being one of them, Eddie Albert being another one. These guys were working in the ’3. What I got from him was this incredible sense that we are so fortunate, we need to show up and be professionals. Preston would come in every day and he’d get into makeup, wardrobe, tie tied, all set, shootable the first thing in the morning and then he’d sit there. Everybody would show up every day pretty much and we’d get dressed and wait and sometimes we’d work and sometimes we didn’t. We weren’t necessarily in the scene but he’d throw us in the background or whatever. This one particular day we were in Long Beach some place and Burt . He’d gotten the idea from Dolly Parton, who was one of the first people to convert a bus and turn it into a motor home. It was extraordinary and opulent and fabulous. Then Jill and Kris each had a big motor home, but nothing compared to Burt’s. Preston was in two rooms that were joined together and combined in a honey wagon. I don’t know if you know what a honey wagon is, but it’s where they put people like me when I was that age. You have this little shelf that you can sit on and a tiny table and the bathroom. You go farther down the honey wagon and there’s a bathroom for everybody who’s in the honey wagon and the crew. Robert Preston was in this and these other people were in these other things. I just kept thinking this is upside down. This is Robert fucking Preston. So he’s sitting out there as he very often was when he was ready, so he’s sitting out there in a director’s chair reading the newspaper. He’s all dressed and made up and ready to go. We’ve been sitting around for a couple or three hours. I said, “Pres, can I ask you something?” He said, “Sure, kid.” “Look, maybe I’m crazy but I get this. They bring me in every day. Sometimes people work, sometimes we don’t but you’re Robert Preston. I don’t get this.” He says, “Let me tell you something, kid, they’re paying me a lot of money and if they want to pay me to sit here and read the paper, I’m delighted to do it.” I worked with so many people down range of that who were young people, who had this sense of entitlement, to all this special treatment and I did my best not to be that person ever. When they come over and call me in three hours and I still haven’t worked and go, “We’re so sorry.” I go, ”It’s okay. Don’t worry about it.” I’d see other people who would rant and rave and scream. When it was appropriate, when I could, I would call them over and say, “They’re paying us a lot of money to sit around here and shoot the shit and read the newspaper. Why are we bitching about it?”All In The Family (1. George Bushmill”AVC: Your first screen role was All In The Family. RM: I’ll tell you exactly. I was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that. So we all go to Broadway and for most of us it was our first time not only on Broadway but many of us for the first time working in a New York theater. While I’m doing The Changing Room, I’ll never forget, I was sitting and watching the Watergate hearings on a tiny black and white television that I had in my little sublet down in the West Village. I get a call from my agent and she said “I’ve got an appointment for you for tomorrow at 2 o’clock. You’re going to meet with Norman Lear.” I said, “Who’s that?” She said, “Well, he does a couple of shows. Did you ever hear of All In The Family and Sanford And Son?” I said “Yeah. What does he want to meet me about?” She said, “What do you fucking care?” So I go there and this was absolutely surreal. I walk into this office, which is the casting office for CBS in New York. Mainly what they cast out of this office was the CBS daytime shows.
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Timothy Spall - Wikipedia. Timothy Leonard Spall, OBE (born 2. February 1. 95. 7) is an English character actor and occasional presenter. He became a household name in the UK after appearing in the 1. ITV comedy- drama series Auf Wiedersehen, Pet. ![]() That was two decades ago, when he was arrested and later sentenced to a mandatory double-life. From Timothy Olyphant's first screen appearances, such as his two-minute bit in The First Wives Club (1996), to "Nicko", whose presence at times dwarfed the island in.Spall received critical acclaim for his performance in Secrets & Lies (1. BAFTA Award for Best Actor in a Leading Role. Subsequently, he starred in supporting roles including The Last Samurai (2. Peter Pettigrew in the Harry Potter film series (2. Albert Pierrepoint in Pierrepoint (2. Beadle Bamford in Sweeney Todd: The Demon Barber of Fleet Street (2. Peter Taylor in The Damned United (2. Winston Churchill in the The King's Speech (2. Spall has also starred in the television documentary Timothy Spall: .. Sea (2. 01. 0–2. 01. In 2. 01. 4, he won the Best Actor award at the 2. Cannes Film Festival for portraying J. Turner in Mike Leigh's biographical film Mr. Spall, was a postal worker. He gained international recognition as Peter Pettigrew (. Here are all the reviews (plus one!) that I wrote for my 100 Reviews / 100 Days Project at Coldfront Magazine between March through June, 2014. Paul’s Third Missionary Journey 3 c. 1 Corinthians 16:8-9 10. Paul sent Timothy and Erastus to Macedonia. Timothy continued in Corinth. Paul remained in Ephesus and. Epistles to Timothy and Titus. Help support New Advent and get the full contents of this website as an instant download. Includes the Catholic Encyclopedia, Church. Shrek the Third (2007) cast and crew credits, including actors, actresses, directors, writers and more. In 1. 99. 1 he guest starred in the series 5 Red Dwarf episode Back to Reality. In 1. 99. 3, Spall was a guest in the Scottish comedy series. Rab C. Nesbitt. In the 2. New Year Honours, he was made an Officer of the Order of the British Empire (OBE). In the 2. 00. 6 video game Grand Theft Auto: Vice City Stories, Spall voiced Phil Collins' manager, Barry Mickelthwaite. In 2. 00. 7, he starred as Nathaniel in Disney's Enchanted and Beadle Bamford in Tim Burton's production of Sweeney Todd: The Demon Barber of Fleet Street. He also starred as Georgie Godwin in a one off television drama The Fattest Man in Britain on ITV 1 which aired on 2. December 2. 00. 9. The drama also featured Bobby Ball, Frances Barber, Aisling Loftus and Jeremy Kyle. In 2. 01. 0, he portrayed Winston Churchill in critically acclaimed film The King's Speech for which as a member of the ensemble he was jointly awarded the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. Spall reprised the role at the 2. Summer Olympics closing ceremony. In 2. 01. 2, Spall filmed Wasteland (known as The Rise in Britain), with actors Matthew Lewis and Vanessa Kirby. The Newport Beach Film Festival in Newport Beach, California, screened Wasteland in April 2. Turner directed by Mike Leigh. From 2. 9 March to 1. May 2. 01. 6, Spall played the title role of Davies in Harold Pinter's play The Caretaker, directed by Matthew Warchus at the Old Vic theatre in London opposite George Mac. Kay and Daniel Mays. Timothy Spall plays various roles in Stanley A Man Of Variety, directed by Stephen Cookson and produced by Red Rock Entertainment. Timothy received the Edgeware Outstanding Achievement Award for his performance in Stanley A Man of Variety. Personal life. He lives in Forest Hill. It made me aware of things and become more selective. I am less worried about employment. I really do my homework so I am not getting stressed on the set because I don't know what I'm doing. Grant, Tom Hollander, Derek Jacobi, Kelly Macdonald, Helen Mirren, Jeremy Northam, Clive Owen, Ryan Phillippe, Maggie Smith, Geraldine Somerville, Kristin Scott Thomas, Sophie Thompson, Emily Watson, James Wilby. Chicago. Christine Baranski, Ekaterina Shchelkanova, Taye Diggs, Denise Faye, Colm Feore, Richard Gere, Deidre Goodwin, Queen Latifah, Lucy Liu, Susan Misner, M. Reilly, Dominic West, Ren. The Two-Way Breaking News From NPR. NPR's Alice Fordham reports on today's Morning Edition. Targeted Attack On At Least Seven Indianapolis Area Officer's Homes In One Night. Officers targeted in Whitestown. Officers Living In Whitestown Targeted. Whitestown, IN – Officers from up to seven agencies who live in an Indianapolis suburb had their homes and cars vandalized Wednesday night. Our residents are very, very respectful and supportive of all public safety agencies, including the Whitestown Police Department, and I’m sure I speak for them when I say that this will not be tolerated in Whitestown. And let me make very clear that we are working very, very hard to find however did this and insure that they are punished for doing so.”If you have any information you are asked to call the Whitestown Police Department at 3. Our hearts go out to all of those affected by these attacks on our heroes. Targeted advertising is a form of advertising that online advertisers can use sophisticated methods to the most receptive audiences with certain traits.![]()
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The Choice is Ours - Top Documentary Films. Throughout our history, humanity has set its sights on seemingly impossible goals, and found a way to realize those goals against all obstacles. This awe- inspiring potential is on full display in the opening moments of the new documentary The Choice is Ours, as retired NASA astronaut and professional astronomer Jeff Hoffman testifies to the glories of space travel. With unparalleled willpower and ingenuity, we crafted the tools and technologies to explore what was once limited to the fabrications of Hollywood myth makers. But even from atmospheres beyond our own, the earthbound challenges we have yet to conquer remain in full view. Having manned multiple space flights over the course of many years, this reality became apparent to Professor Hoffman as he gazed upon the surfaces of our planet from his capsule. This elegantly produced film promotes our capacity to invoke positive change in the world, and considers the behavioral and cultural shifts which must take place to make this possible. The Choice is Ours is a production of The Venus Project, an organization devoted to uncovering innovative new approaches to problem solving. The organization's founder, 9. Jacques Fresco, serves as the principal guide throughout the film's narrative. With convincing and articulate insight, Fresco argues for a reconsideration of what is possible in each of us, and by extension, the world at large. In examining whether our behaviors are determined by human nature, or by absorbing the environment which surrounds us, the film offers clues as to how we can begin to rebuild the reality of our planet from the ground up. If defeating self- doubt and apathy were the rules which governed our species decades ago, would we have ever invented the technology to venture into outer space? By applying the same intensity of positive focus to global pursuits, we can improve the view of our planet, even from the stars. ![]() America is devolving into a plutocracy. Have you ever undertaken some task you felt less than qualified for, but knew that someone needed to do? Consider this piece my version of that, and let me put what I do understand about it in a nutshell: based on developments in our post- 9/1. American political system and way of governing for which, as yet, we have no name. And here’s what I find strange: the evidence of this, however inchoate, is all around us and yet it’s as if we can’t bear to take it in or make sense of it or even say that it might be so. Let me make my case, however minimally, based on five areas in which at least the faint outlines of that new system seem to be emerging: political campaigns and elections; the privatization of Washington through the marriage of the corporation and the state; the de- legitimization of our traditional system of governance; the empowerment of the national security state as an untouchable fourth branch of government; and the demobilization of “we the people.”Whatever this may add up to, it seems to be based, at least in part, on the increasing concentration of wealth and power in a new plutocratic class and in that ever- expanding national security state. Certainly, something out of the ordinary is underway, and yet its birth pangs, while widely reported, are generally categorized as aspects of an exceedingly familiar American system somewhat in disarray. Elections. Check out the news about the 2. As a start, the two names most associated with it, Bush and Clinton, couldn’t be more familiar, highlighting as they do the curiously dynastic quality of recent presidential contests. Eisenhower can still be a touchstone.)Cohn may be right when it comes to Hillary’s electability, but this is not Dwight D. Eisenhower’s or even Al Gore’s America. If you want a measure of that, consider this year’s primaries. I mean, of course, the 2. Once upon a time, the campaign season started with candidates flocking to Iowa and New Hampshire early in the election year to establish their bona fides among party voters. These days, however, those are already late primaries. The early primaries, the ones that count, take place among a small group of millionaires andbillionaires, a new caste flush with cash who will personally, or through complex networks of funders, pour multi- millions of dollars into the campaigns of candidates of their choice. These “contests” involve groveling politicians appearing at the beck and call of the rich and powerful, and so reflect our new 1% electoral system. The 2. 01. 2 presidential campaign was the first $2 billion election; campaign 2. The previous election season, the midterms of 2. Gain insight into areas of client dissatisfaction and categorize them by score, feedback, and employee interactions. Negative feedback and low-quality scores. Ours definition, (a form of the possessive case of we used as a predicate adjective): Which house is ours? And the Word was made flesh, and dwelled among us, (and we beheld his glory, the glory as of the only begotten of the Father,) full of grace and truth. A team of European astronomers has discovered a second planetary system, the closest parallel to our own solar system yet found. It includes seven exoplanets orbiting. How does Christ's love for us turn into our love for others? It also represented the lowest midterm voter turnout since World War II. The Privatization of the State (or the U. S. The most striking aspect of this little brouhaha lies in what’s most obvious but least highlighted. The De- legitimization of Congress and the Presidency. Much of the Cuisine We Now Know, and Think of as Ours, Came to Us by War The long and winding road that brought “local” dishes to our plates.![]() On a third front, American “confidence” in the three classic check- and- balance branches of government, as measured by polling outfits, continues to fall. The Rise of the National Security State as the Fourth Branch of Government. One “branch” of government is, however, visibly on the rise and rapidly gaining independence from just about any kind of oversight. Intelligence Community with its 1. Marshals Service (part of the Justice Department) create an airborne digital dragnet on American cell phones. The Demobilization of the American People. In The Age of Acquiescence, a new book about America’s two Gilded Ages, Steve Fraser asks why it was that, in the nineteenth century, another period of plutocratic excesses, concentration of wealth and inequality, buying of politicians, and attempts to demobilize the public, Americans took to the streets with such determination and in remarkable numbers over long periods of time to protest their treatment, and stayed there even when the brute power of the state was called out against them. Call it what you want. But call it something. Stop pretending it’s not happening. Welcome to Holker Hall & Gardens. Wednesday, May 3, 2. Holker’s newest event for 2. The Holker Spring Market has been well received, with exhibitor space fully booked weeks in advance. It’s fair to say that Melford Hall has had its share of trials and tribulations, but it’s thanks to many generations from medieval monks to the Hyde Parker family.![]() Little Glemham 0.75 miles. 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